Drum n Bass Drums VST Plugins Archives

21 Drum n Bass Production Mixing Tips

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Ask any drum n bass producer what’s the hardest part of drum n bass production and 9 out of 10 will tell you its the mixdown. So with that in mind I thought I’d share a few mixing tips I’ve managed to pick up along the way.

1. Compression, now before everyone gets their knickers in a knot. I’m not talking about squeezing the life out of your
drums. I’m talking about using a compressor on your drum buss to help glue all your drum sounds together. Its important to make your drums sound like one uniform cohesive sound and compression will do the trick quite well.

2. Try to separate all your drums onto their own tracks. This makes it nice and easy for level changes but also if something needs replacing later in the mix as well.

3. Try adding a touch of reverb to your drums to bring them to life and to make them sound more natural.

4. Try adding an envelope shaper to hits to bring out more attack or to round out the sound more. Works great with snares and kicks and you can even use it on your master buss!

5. If your having trouble with your kick and snare getting lost in the mix try bussing them to their own group first with a separate compressor/eq etc then sending them to the drum buss.

6. Try adding a little distortion to your drums, bass, fx etc. Distortion is awesome and can add that bit of dirt your tune might be lacking. Try using it as a send and insert effect.

7. Take a break every 2 hours or so. You need to give your ears a chance to rest especially if you’re monitoring at loud volumes. Always check your mixes the NEXT morning with a fresh set of ears.

8. Try to cut with EQ first before boost.

9. Generally EQ after compression. This way you don’t undo what the compression has done!

10. When compressing a sound make to use the bypass button to check on what compression your applying.

11. Play around with your fx/vst plugins chains. A reverb after a delay sounds different to a delay after reverb.

12. Layering isn’t always about putting 9 basslines on top of each other. Sometimes it can be subtle like duplicating a drum track, added compression and blending that back in with the original.

13. However, layering in drum  n bass is critical in getting that “sound” for your drums and bass. If your drums or bass are sounding weak, its time to layer up!

14. Make sure to apply bass cut to a channel when you can. Its so important to freeing up some headroom and making space in your mix. You an analyzer if you can as well to check if you have any rogue frequencies down in the sub area you don’t need.

15. If your unsure what a certain know or switch or fader does on a plugin or fx or synth test the extreme settings on it and listen to whats happening to the sound. When you’ve worked out what’s going on bring it down to a sensible level.

16. Sidechaining is becoming popular in drum n bass production as well so if your having trouble getting your kick and bass to punch through together try sidechaining them.

17. Sidechaining is not only reserved for the your kick and bass you can get excellent results sidechaing some pads with your kick etc.

18. Don’t be afraid to go into the red a little when your mixing down your track. 3db should be okay but use your ears when you do so.

19. If 2 sounds or more are fighting for the same frequency range try panning them a little left and right. This will help with the separation a lot.

20. Don’t be afraid to use a limiter on your master buss to squeeze out some more db. I’d say 98% of drum n bass producers use limiters in one way or another. So you might as start learning about what they do and how they sound now!

21. When using EQ first sweep the frequency bands slowly and listen out for any horrible resonant frequencies that jump out at you. Then use EQ cut to remove those frequencies. A little here and there can make a huge difference to the overall sound.

Okay then, 21 drum n bass production mixing tips as promised. However, most of these tips can be applied to any genre of music you might make so get cracking!

see you on the dancefloor.

Dauntless

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Mixing Audio by Roey IzhakiI’ve had Mixing Audio Concepts and Practices by Roey Izhaki for quite a while now. (truth is I wish I had it way earlier!). There ain’t that many books on production so I when one pops up you gotta give it a look, right?

For many drum n bass producers the mixdown IS the hardest part of making a tune. The constant battling of sounds in the mix or getting the tune loud for the club is enough to drive you MAD!

So lets not dilly dally, lets have a peek under its covers shall we?

==>>Grab Mixing Audio Concepts & Practices Here<<==

First off, Mixing Audio was  conceived to provide a complete research on mixing from  basic to advance techniques. This I found to be certainly true, as its written in very easy to understand English and is jammed with pictures and diagrams galore to help you understand whats going on.

The Book Contains:

- 584 pages.
- The book covers most of the major DAW’s from Cubase, Logic, Motu, Protools.
- 35 chapters covering ALL techniques and concepts to do with music production.
- Easy to understand English.
- Is used by the London SAE.

As I mentioned earlier the books is full of  Illustrations and audio samples.
Nearly 300 pictures and more than 2000 audio samples that come on the DVD to be infact!

Lastly Mixing Audio comes with 4 complete sample mixes which come with:
- notes on each audio track and what was done and why.

- A wide selection of genres to learn different techniques from  for e.g. pop to drum n bass.

- Before and after processing clips of all the 4 tunes for studying.

- Separate audio tracks from the tunes.

- For the most part, the text in the book includes the actual setting of processors and effects.

- Samples are CD-quality WAV

So If you’ve ever struggled with balancing levels or just don’t get how compression or reverb work or don’t quite understand the layout of a mixer then  I have no problem in endorsing Mixing Audio: Concepts, Practices and Tools. Its well written and it pretty much covers everything you wanted to know about mixing audio/music production.

==>>Grab Mixing Audio Concepts & Practices Here<<==

See you on the dancefloor

Dauntless

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KMag Special – Science Of Sampling

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Hi peeps, just a heads up on the whats going down over at kmag.co.uk. They got an awesome series started called the  “Science of Sampling”. They’re going to cover pretty much everything to do with sampling like “what is sampling?, analog samplers, digital samplers, the future of sampling etc”. If you know me at all you’ll know that I love my samplers! I have an E-mu 5000 ultra and an AKAI s3000XL (part of huge hardware library) that I absolutely will NOT part with!

E-mu Sampler

To make the feature even more juicy there is going to be a massive competition to the tune of £500 worth of samples from soundstosample.com and a Brand spanking new Maschine from heavyweights Native Instruments! Gulp! I want one of these please!

NI Maschine 321x300 KMag Special   Science Of Sampling

It doesn’t end there peeps. Not in a long shot because there is also a Shogun music and Fenchurch Clothing Remix special competition here from the man of the moment Icicle. The tune is called “Time to Remember”.

Icicle KMag Special   Science Of Sampling

Plus, tonnes of free samples to download from Mistabishi, Icicle, Stakka and David Carbone. We all love free samples! Bring it on I say!

I urge you to take a quick gander over there and check it out. To make things easier for you and me its written in plain easy to understand english and they’ve put in Youtube clips for examples. This article is a great introduction to sampling for beginners and there’s even something for more advanced headz. So get cracking with those Remixes! Enjoy

See you on the dancefloor

Dauntless

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Drum n Bass Production Tools Of The Trade

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Well, I’m back but this isn’t gonna be that another latest drum n bass production wonder vst plugin article. That was last week! You can check it out here just in case you missed it. No, this one  is gonna be an article on the other programs I like to use to help me out in my daily drum n bass production superstar life! lol These are the little helpers (or not so big) that help you out in big ways. Lets get cracking then shall we?

ccleaner2 380x300 Drum n Bass Production Tools Of The Trade

CCleaner – This program is definitely a handy little ap available from here. I run this program every few days, maybe once a week then. Its great for making sure you’ve got maximum HHD space and keeping your registry bang up to scratch. Another really cool feature is the way it can uninstall difficult programs and yep, its free.

winrar1xr 400x300 Drum n Bass Production Tools Of The Trade

Winrar – This little program has been around for ages and definitely over took Winzip (in my opinion) for unzipping shit. When I learnt that you could right click and “extract here” my life was all good. Also the way you can extract different folders separately is awesome.

NFO Viewer – Awesome little app that comes in handy when you need to look at those .nfo that comes along with certain other files from the web. To be honest I don’t use it that much these days but I like the pretty pictures and effort that they put into the .nfo files. Oh by the way I use Notepad to open up the .nfo files.

daemon tools lite 346x300 Drum n Bass Production Tools Of The Trade

Daemon Tools -  You need this app if you deal with ISO’s from the web because of its virtual drive feature. Just mount the .ISO in Daemon Tools and your computer will think the original is in the “drive”. Very handy indeed.

Microsoft Defrag – Yep, I said it, the big M word,  Microsoft. They actually did something right for once with this little app in XP. I run it every now and again and it just works. Defraging actually makes the computer run smoother and that’s a good thing cause music production takes it out of the old computer.

vlc player

VLC player – Awesome program that nearly plays everything. There has been only one file that it couldn’t play, one. They’re always updating it too so that keeps on playing everything. This player is FREE!

foobar2000

Foobar2000 – One of the best audio players out there for the PC. Plays 24bit files or whatever you throw at it without skipping a beat. Real simple interface and dead small in size but best of all its totally free, love it!

Having a properly kitted out studio with all the latest vst plugins and hardware made for drum n bass production isn’t the entire picture. Making sure you have the right software to speed up the day to day chores is critical when it comes to improving your beats. Freeing up more time to get on with what’s important  “drum n bass production”.

See you on the dancefloor

Dauntless

P.S. When I was growing up I was a bit of a Hip Hop Electro funk rat. Running around the neighbourhood breakdancing with my fat laces in my Adidas shell toes listening to Run DMC and LL Cool J.  If you feel like reliving some of those memories check out my homies site coldcrush.com.au for some electrofunk madness.

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Drum n Bass Production Mastering Tutorial

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Simon V Mastering Tutorial

Our favourite Santorin producer Simon V gives us some excellent drum n bass production tips on how he masters his tracks for commercial release. Simon kindly gives up audio snippets to download at various stages in the production so that we can hear hear the processes he applies and how they colour the sound. I love the before and after snippets of the tune, dramatic or what? Damn!

What I really love about the  tutorial is the way he breaks down all the different plugins he uses for drum n bass production and the audio snapshots are gold. Oh and like the way he includes a snapshot of the plugins at each stage is cool. The tutorial clearly shows that Simon loves his UAD plugins and I’d have to agree with him there, all the way to the bank on that one! Its also really clear that Simon knows his plugins in his Cubase folder really well. I mean the way he explains the Neve 88RS and what it can do is eye-opening. Even though I love the smell of new plugins I also encourage getting to know the plugins you already have first. The only problem with the tutorial is that some people wont have access to these plugins and he doesn’t offer up any alternatives! Doh! Oh well, I suppose we’re getting the skinny on how he works so if we keep that in mind we can forgive him for that oversight!

I think the tutorial is really clear and really well written for all levels of drum n bass production and so should appeal to all. I certainly got something out of it. (His use and explaination of certain UAD plugins was awesome!)

Well, enough of me gas bagging about it, go check it out here.

See you on the dancefloor.

P.S.  Catch DJ Chook from Luxembourg playing in Sydney on the 18th of December 2009 for the No Frills Xmas party!

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