Drum n Bass Drums VST Plugins Archives

Hot DnB Plugin Tip

Okay, this tip is not really a new one. The plugin I’m referring to here is the PSP Vintage Warmer 2 by those Polish boffins of Audio Software PSP.

If you had the chance to check out the latest CM mag with heavy weights Icicle, Reso and the Qemists then you’ll know what I’m talking about.

If you didn’t. Go out and grab the magazine or Google that shizzle.  Most definitely worth it.

Works absolutely brilliant on drums and well… er anything. Perfect if you need to add a bit of life to your drum break or fatten it up 200%!

Using The PSP Vintage Warmer 2

1. Turn up the drive knob.

2.Play with the Knee. 0-12 should do it.

3. Put it into FAT and Multi mode.

4. Turn the Limit OFF (use the Sonnox Oxford Limiter)

5. Adjust the High and Low band EQ to taste. I use them subtractively to flatten out the break whilst using Voxengo Span.

The thing about PSP VW2 is its pretty ease to use but the results are awesome.

Now… go out there and FU*K up some breaks!

A Note On Synthesis

Listen, in this day and age of unlimited downloads, torrents and cracks its easy to have a VST folder that’s jammed packed full of synths that you have absolutely no idea about what they do or how they sound.

I’ve said it before and I’ll say it again.

STOP

Go back into your folder and uninstall all of them except 1/2/3.

I don’t really care which one’s you pick. Just pick them and be done with it.

“Its easy to make a wrong decision right then to make a decision”

This was a famous quote by somebody who I can’t remember but anyways… you get the point.

Make a decision and move on.

Okay, so after you choose the synths you want to work with have a play around with them. Work your way through some presets and get to know how each one of them sounds. Turn off the effects and appegiators on the presets if they have them and have a good listen. Bounce out some sounds if you like and maybe draw in a bit of automation if you feel inspired.

Now after playing around you should load the initial/initialize preset (if there is one). Some synths come with an initial preset and some don’t. I reckon EVERY synth should have one. Its only when you start to build your own synth patches will you start to understand the synth. Which brings me to a good point.

I struggled with synthesis for ages. Sure I had a rough idea about what stuff on a synth did, LFOs, Envelopes, Detune etc. However, it wasn’t until I went through www.Nickstutorials.com courses that I started to really understand synthesis. Do yourself a favor and check them out. They start at the crazy price of $8 US and the amount of stuff you’re going to learn is worth WAY MORE than that.

Okay, so after you get a grasp of synthesis (by watching the videos etc) start building up your own presets and bounce stuff out for your own sound library. In next to no time you’ll have a large collection of your OWN sounds and your tracks will have start to develop your own personalized sound. Which is what making drum and bass music is all about.

21 Drum n Bass Production Mixing Tips

Ask any drum n bass producer what’s the hardest part of drum n bass production and 9 out of 10 will tell you its the mixdown. So with that in mind I thought I’d share a few mixing tips I’ve managed to pick up along the way.

1. Compression, now before everyone gets their knickers in a knot. I’m not talking about squeezing the life out of your
drums. I’m talking about using a compressor on your drum buss to help glue all your drum sounds together. Its important to make your drums sound like one uniform cohesive sound and compression will do the trick quite well.

2. Try to separate all your drums onto their own tracks. This makes it nice and easy for level changes but also if something needs replacing later in the mix as well.

3. Try adding a touch of reverb to your drums to bring them to life and to make them sound more natural.

4. Try adding an envelope shaper to hits to bring out more attack or to round out the sound more. Works great with snares and kicks and you can even use it on your master buss!

5. If your having trouble with your kick and snare getting lost in the mix try bussing them to their own group first with a separate compressor/eq etc then sending them to the drum buss.

6. Try adding a little distortion to your drums, bass, fx etc. Distortion is awesome and can add that bit of dirt your tune might be lacking. Try using it as a send and insert effect.

7. Take a break every 2 hours or so. You need to give your ears a chance to rest especially if you’re monitoring at loud volumes. Always check your mixes the NEXT morning with a fresh set of ears.

8. Try to cut with EQ first before boost.

9. Generally EQ after compression. This way you don’t undo what the compression has done! If you’re applying EQ on a surgical level ( like removing rumble from a vocal) then place the EQ before compression.

10. When compressing a sound make to use the bypass button to check on what compression your applying.

11. Play around with your fx/vst plugins chains. A reverb after a delay sounds different to a delay after reverb.

12. Layering isn’t always about putting 9 basslines on top of each other. Sometimes it can be subtle like duplicating a drum track, added compression and blending that back in with the original.

13. However, layering in drum  n bass is critical in getting that “sound” for your drums and bass. If your drums or bass are sounding weak, its time to layer up!

14. Make sure to apply bass cut to a channel when you can. Its so important to freeing up some headroom and making space in your mix. You an analyzer if you can as well to check if you have any rogue frequencies down in the sub area you don’t need.

15. If your unsure what a certain know or switch or fader does on a plugin or fx or synth test the extreme settings on it and listen to whats happening to the sound. When you’ve worked out what’s going on bring it down to a sensible level.

16. Sidechaining is becoming popular in drum n bass production as well so if your having trouble getting your kick and bass to punch through together try sidechaining them.

17. Sidechaining is not only reserved for the your kick and bass you can get excellent results sidechaing some pads with your kick etc.

18. Don’t be afraid to go into the red a little when your mixing down your track. 3db should be okay but use your ears when you do so.

19. If 2 sounds or more are fighting for the same frequency range try panning them a little left and right. This will help with the separation a lot.

20. Don’t be afraid to use a limiter on your master buss to squeeze out some more db. I’d say 98% of drum n bass producers use limiters in one way or another. So you might as start learning about what they do and how they sound now!

21. When using EQ first sweep the frequency bands slowly and listen out for any horrible resonant frequencies that jump out at you. Then use EQ cut to remove those frequencies. A little here and there can make a huge difference to the overall sound.

Okay then, 21 drum n bass production mixing tips as promised. However, most of these tips can be applied to any genre of music you might make so get cracking!

see you on the dancefloor.

Dauntless

Mixing Audio by Roey IzhakiI’ve had Mixing Audio Concepts and Practices by Roey Izhaki for quite a while now. (truth is I wish I had it way earlier!). There ain’t that many books on production so I when one pops up you gotta give it a look, right?

For many drum n bass producers the mixdown IS the hardest part of making a tune. The constant battling of sounds in the mix or getting the tune loud for the club is enough to drive you MAD!

So lets not dilly dally, lets have a peek under its covers shall we?

==>>Grab Mixing Audio Concepts & Practices Here<<==

First off, Mixing Audio was  conceived to provide a complete research on mixing from  basic to advance techniques. This I found to be certainly true, as its written in very easy to understand English and is jammed with pictures and diagrams galore to help you understand whats going on.

The Book Contains:

- 584 pages.
- The book covers most of the major DAW’s from Cubase, Logic, Motu, Protools.
- 35 chapters covering ALL techniques and concepts to do with music production.
- Easy to understand English.
- Is used by the London SAE.

As I mentioned earlier the books is full of  Illustrations and audio samples.
Nearly 300 pictures and more than 2000 audio samples that come on the DVD to be infact!

Lastly Mixing Audio comes with 4 complete sample mixes which come with:
- notes on each audio track and what was done and why.

- A wide selection of genres to learn different techniques from  for e.g. pop to drum n bass.

- Before and after processing clips of all the 4 tunes for studying.

- Separate audio tracks from the tunes.

- For the most part, the text in the book includes the actual setting of processors and effects.

- Samples are CD-quality WAV

So If you’ve ever struggled with balancing levels or just don’t get how compression or reverb work or don’t quite understand the layout of a mixer then  I have no problem in endorsing Mixing Audio: Concepts, Practices and Tools. Its well written and it pretty much covers everything you wanted to know about mixing audio/music production.

==>>Grab Mixing Audio Concepts & Practices Here<<==

See you on the dancefloor

Dauntless

KMag Special – Science Of Sampling

Hi peeps, just a heads up on the whats going down over at kmag.co.uk. They got an awesome series started called the  “Science of Sampling”. They’re going to cover pretty much everything to do with sampling like “what is sampling?, analog samplers, digital samplers, the future of sampling etc”. If you know me at all you’ll know that I love my samplers! I have an E-mu 5000 ultra and an AKAI s3000XL (part of huge hardware library) that I absolutely will NOT part with!

E-mu Sampler

To make the feature even more juicy there is going to be a massive competition to the tune of £500 worth of samples from soundstosample.com and a Brand spanking new Maschine from heavyweights Native Instruments! Gulp! I want one of these please!

NI_Maschine

It doesn’t end there peeps. Not in a long shot because there is also a Shogun music and Fenchurch Clothing Remix special competition here from the man of the moment Icicle. The tune is called “Time to Remember”.

Icicle

Plus, tonnes of free samples to download from Mistabishi, Icicle, Stakka and David Carbone. We all love free samples! Bring it on I say!

I urge you to take a quick gander over there and check it out. To make things easier for you and me its written in plain easy to understand english and they’ve put in Youtube clips for examples. This article is a great introduction to sampling for beginners and there’s even something for more advanced headz. So get cracking with those Remixes! Enjoy

See you on the dancefloor

Dauntless

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