Well, to be honest I’ve struggled in the studio in the last few weeks. Some times its been good but most of the stuff I’ve been firing out just has been an utter ball ache. So what to do when things aren’t going well for in the LAB?

Well, I needed some inspiration and I turned to the Q&A on “The Grid” for some much needed advice and boy was I glad I did! One of my all time favorite producers in Optiv from the Cause4Concern and his Q&A was a blinder.

Here are a few notes from the Q&A:

1. We start off with a relatively simple drum kit or loop,
2. Find a sample that evokes some kind of vibe,
3. Work on some bass and from there just add elements that reinforce the idea.
4. Usually the first half of any session is about sound design and preparing samples. Then we arrange the sounds and start on the arrangement.

This is how I kind of work right now but notice point 4? First half sound design and the second half arrangement. Optiv mentions that he never starts to arrange until he has all the sounds just right. This is a BIG BIG BIG tip. If you’re trying to do some major tweaks to your samples in the arrangement phase things are NOT going to go well for you. DON’T jump the gun with the arrangement. Get the sounds right before moving on. Keep adding and adding parts to your track until you can’t add anymore. Then arrange. This should help you keep your flow when arranging and, ultimately help you finish tunes as well.

Let’s face it. Drum and Bass Production is tough. So getting your work flow right is CRUCIAL if you want to write good quality tunes in a small space of time.

Best of luck.

Listen, in this day and age of unlimited downloads, torrents and cracks its easy to have a VST folder that’s jammed packed full of synths that you have absolutely no idea about what they do or how they sound.

I’ve said it before and I’ll say it again.

STOP

Go back into your folder and uninstall all of them except 1/2/3.

I don’t really care which one’s you pick. Just pick them and be done with it.

“Its easy to make a wrong decision right then to make a decision”

This was a famous quote by somebody who I can’t remember but anyways… you get the point.

Make a decision and move on.

Okay, so after you choose the synths you want to work with have a play around with them. Work your way through some presets and get to know how each one of them sounds. Turn off the effects and appegiators on the presets if they have them and have a good listen. Bounce out some sounds if you like and maybe draw in a bit of automation if you feel inspired.

Now after playing around you should load the initial/initialize preset (if there is one). Some synths come with an initial preset and some don’t. I reckon EVERY synth should have one. Its only when you start to build your own synth patches will you start to understand the synth. Which brings me to a good point.

I struggled with synthesis for ages. Sure I had a rough idea about what stuff on a synth did, LFOs, Envelopes, Detune etc. However, it wasn’t until I went through www.Nickstutorials.com courses that I started to really understand synthesis. Do yourself a favor and check them out. They start at the crazy price of $8 US and the amount of stuff you’re going to learn is worth WAY MORE than that.

Okay, so after you get a grasp of synthesis (by watching the videos etc) start building up your own presets and bounce stuff out for your own sound library. In next to no time you’ll have a large collection of your OWN sounds and your tracks will have start to develop your own personalized sound. Which is what making drum and bass music is all about.

Yes, its true. I’ll admit it to you. When the Football World Cup is on I become a bit of sports nut but I think you relate to that. Problem is between work and football this means even less time for drum and bass production which is never a good thing. However, I have started a few things that are shaping up quite nicely indeed.

I’m in the process of selling my Mackie MCU Pro so I’ve had to set it up to show a few people that it works and so forth. Inadvertantly this means I’ve had to play around with it a bit and one thing let to another and so I got a bit inspired. Ableton Live 8 was more DAW of choice this time and once again it blew me away with how easy you can get things going quickly. Remember, I’m not using it in CLIP mode but ARRANGEMENT mode.

So what I learnt from listening back to some old projects in Ableton Live was:

1. I wasn’t focused on an idea. I had 2 or 3 or even 4 ideas in the tune.

2. I was running about 499 breaks on top with sound fx samples etc. Too much!

3. Some of the samples weren’t in the right pitch or key of the tune or

4. Some samples were just plain CRAP!

The good news was that with a few minutes of cleaning up, deleting and re-pitching I was all good. However, without a shadow of a doubt the most IMPORTANT thing when I was doing this was to find the ONE sample/riff that I was going to base my whole tune around. I can’t tell you how key this is to your song making. Find this one idea and everything falls into place. You know which break to choose, what effects to choose, what vocals will fit etc. So, if you find yourself doing that thing we all love which is drum & bass production over the next month think to yourself, “what’s the main idea?” and then go from there.

See you on the dancefloor.

Dauntless

P.S I really dig this post I made earlier on keeping your focus. Check it out here.

Howdy, I’ll get straight to the point because I have not one sample cd to review but two!

1. Loopmasters Bop – Minimal Drum & Bass

2. Loopmasters A Guy Called Gerald – Deep Techno Sessions

Loopmasters Bop

I’ll start with the the Loopmasters Bop sample CD. Minimal drum & bass is all the rage right now so it comes as no surprise that we see a sample cd emerge from the ether. This time Russian producer  Bop has been given sample cd duty after a string of high quality releases on Hospital records and Med School.

The Sample Pack is the usual affair:

# Over 570Mb of content
# 460 Wav samples
# 216 Loops
# 245 Single Sounds.
# 33 ready to play Reason NNXt, Kontakt, Halion and EXS24 Patches
# Apple Loops, Reason Refill or Ableton Live Versions also available

How does it sound?

Positives: Great selection of minimal drum grooves. Definitely 100% authentic sounding. Great Kicks, Snares, Hi  Hats Awesome synth loops – light/airy/dreamy/vibey loops and great pad/atmos/glitch loops.

Negatives: NOT enough instruments patches and the instrument patches that are there are boring and not very inspiring.

Look, if you want to write in the minimal drum & bass style and are having some troubles then Loopmasters Bop will definitely help you out loads! Check out the samples HERE.

Loopmasters A Guy Called Gerald

A Guy Called Gerald is a pioneer in electronic music and I for one was keen to hear this sample pack ever since his Future Music interview. GCG has carefully sampled all his vintage gear and created his own refills. In his own words:

“My aim is to give you all a deeper understanding with as much enjoyment as is physically and mentally possible using the three elements more frequently missing from this music – the basis of all dance music : RHYTHM, MELODY and BASS.

The sounds herein contain patterns that create specific air movement sequence in earth atmosphere used at the correct pressure.  The sounds will transport you to the groove simulator 1st level : the holographic key to die hold activation.

This package is an attempt to capture some of the sounds and loops so future generations can attempt to connect to the mother groove.

Enjoy!

Anyways, this is a TECHNO sample pack but I wanted to see if we could draw some inspiration from the sounds. Generally I find Techno/House sample cds a waste of time but hey I was willing to give this a shot because it was Gerald!

How does it sound?

Well, er… no. I was right in thinking that this was not going to work for drum and bass production. The drums are all wrong and the bass loops are boring or not usable. In fact this was the general theme for the whole sample pack.  Sure there was the occassional sample here or there that “had” something but they were few and far between.

The drum samples were the usual suspects( Drum machine style and vinyl  samples). So the usual 808′s and vintage breaks kicks, snares and hats.

The Bass instruments were solid but pretty much only came in one flavor which is that House bass style. So nothing new there and certainly nothing that you shouldn’t have in your Sound Library already.

So, I couldn’t and wouldn’t recommend Loopmasters A Guy Called Gerald if you want to make drum and bass. I think its strickly for the House/Techno peeps. I know you are a hard headed lot so if you need to check it out click HERE.

Howdy, just a quick post about what’s been going on around the studio. Well, er… not that much. I’ve unfortunately been sucked into that thing called life/JOB and so I’ve had very little time in the studio. This doesn’t mean I haven’t been thinking and dreaming about it. Oh no… I’m always doing that, much to the dislike of my wife! lol

You know how I normally go on and on about reducing the amount of Plugins, Soft Synths, DAWs etc that you might be using in the studio? Well, this applies to your actuall studio to,  so in the next few weeks/months I’m going to slim down the studio gear into a few choice components.

What the hell does all this mean? Access Virus TI Polar.

Access Virus Ti Polar

I’ve got the Ti Snow and I love it but I definitely am missing the extras knobs available on the Ti Desktop and Polar. Having that extra tweakability in a synth is crucial and I’m missing it dearly. Also, getting rid of the Mackie MCU PRO and the Novation SL Remote because the Polar has a keyboard and the Mackie doesn’t get used that much anyway. So, if you’re planning on buying some gear have a good think about what or how its going to fit in the studio and what role the unit is going to play. You might just find that you DONT need it.

For the peeps that managed to read down this far I have a treat/tip. Voxengo Gliss EQ2.0. If you don’t have this badbwoy yet then get it into your VST Plugins Folder pronto! That means find it and install NOW! My homeboys Phace and Mayhem have given me the big green light that this EQ is serious bizness! So super hot tip for you there! The Voxengo Gliss EQ2 is great for adding character. So it’s not really supposed to be for surgical EQ strikes okay? Leave that job for the Sonnex or  UAD Cambridge.

Voxengo Gliss EQ 2 VST Plugin

Another wicked VST Plugin that Is now an essential must is the BX Control. This plugin helps with the stereo image of your tracks giving you the option to go really wide in the mix with out effecting the low end. Nice.

Brainworx BX Control 2

Also Drumnbass Videos don’t come around every day so check this one out  by Blame – On My Own Feat Ruff Squad.

See you on the dancefloor

Dauntless