Loopmasters Drum N Bass Rough Connections Vol3

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loopmasters RCVOL3 thumb Loopmasters Drum N Bass Rough Connections Vol3Just when you thought it was safe Loopmasters, BHK and Industrial Strength are back again with Rough Connections Volume 3 for your sampling pleasure.

RC Volume 3 is jammed with well produced bpm keyed new school Drum n Bass breaks, kicking sounds and wicked FX Loops for your ever growing Drum n Bass sample library.

This sample pack has specially programmed non recycled drumloops as Wav and Rex 2 files for easy layering to create your own breaks or loops. As well as Acidized wav files for instant drop & rock performance.

RC 3 also contains endless playable Reeses Bass sounds in forward & backward sampler mode. Wild FX sounds and useful Sound Scapes to fill in the deep gaps in any style Drum n Bass production.

It does not stop there, this pack is not only for Drum n Bass productions. Producers of genres such as Hardcore, Break Kore, & Dub Step that are looking for usable drum Loops, EFX and tripped out Sound Scapes will get more then enough license free samples to use in any electronic music production.

Check Out The Awesome Video from the Studio of BHK!

Grab The Killer Samples HERE!

The possibilities with this new collection are endless, so don’t miss out on this fresh and truly new massive sound source for your royalty free sound collection.

Alex Borel has truly out done himself on this follow up pack to the ever growing Rough Connection D n B collection.

if you have bought any of the other Rough Connection sample packs, Rough Connections Volume 3 will not dissapoint you in anyway.

Grab The Killer Samples HERE!

Hope to see you on the dancefloor.

Dauntless

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Loopmasters Syncopix Drum and Bass Vol3 Review

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loopmasters Syncopix Drum n Bass vol3Well, Loopmasters are at it again with their Artist Series delivering up another gem of a royalty free sample pack. This time round they enlisted the talents of Hamburg’s own Syncopix (aka Roland to his parents) for a 470 mb smash up of Beats, Bass and everything in between.

I won’t go on all day about what’s in the Loopmasters samplepack and what format you can get it in because you can find out for yourself here.

What I will tell you is that it’s a very fine piece of work and definitely should take up a suitable space on your HDD. (Probably right in the Loopmasters folder!)

There’s a lot of TURD sample packs out there in the big world, indeed some that would cost you double or even more but don’t really don’t deliver! However, this sample CD does, and does so well.

We all know the saying in drum n bass production well, “you can’t polish a turd!”… so collecting a good sample library is a must if you’re going to get anywhere in this very competitive genre of electronic music. Add Loopmasters Syncopix drum n bass Vol 3 to yours NOW!

See you on the dancefloor

dauntless

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Merry Xmas From DnBBeats.com

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Howdy, just wanted to say hi and Merry Xmas to you all. You want to know the honest truth? I’m a bit of a ba hum bug kinda guy. I never realy got into the whole Christmas thing, must have been a blow back from my childhood. Anyways, I know a majority of you guys are so I just wanted to say thanks for popping in and taking alook around. I hope that in some small way this site has helped your drum n bass productions. I know for me, my drum n bass tunes have definitely taken a turn in the positive direction. I just want to take the time to thank, and in no order. Phace (Florian), Current Value (Tim), Stu (SOM), Nymfo (Bardo), Axiom (Luke), Chook (Phillip), The Upbeats (Jeremy), Logisitics (Mat) and Noisia (Nik and Martjin) and all the rest that have taken the time to sit with me in the studio and show me how they get down and write dnb beats!

Finally thanks again to you! For popping in and reading my wild rants and ramblings. I love writing about beats and 2010 shouldn’t be any different! I’m sure even a release at some point! wooohooooo!

Anyway… safe journeys and I hope you got some nice additions to your studio or your vst plugins folder!

Peace out

see you on the dancefloor!

dauntless

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21 Drum n Bass Production Mixing Tips

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Ask any drum n bass producer what’s the hardest part of drum n bass production and 9 out of 10 will tell you its the mixdown. So with that in mind I thought I’d share a few mixing tips I’ve managed to pick up along the way.

1. Compression, now before everyone gets their knickers in a knot. I’m not talking about squeezing the life out of your
drums. I’m talking about using a compressor on your drum buss to help glue all your drum sounds together. Its important to make your drums sound like one uniform cohesive sound and compression will do the trick quite well.

2. Try to separate all your drums onto their own tracks. This makes it nice and easy for level changes but also if something needs replacing later in the mix as well.

3. Try adding a touch of reverb to your drums to bring them to life and to make them sound more natural.

4. Try adding an envelope shaper to hits to bring out more attack or to round out the sound more. Works great with snares and kicks and you can even use it on your master buss!

5. If your having trouble with your kick and snare getting lost in the mix try bussing them to their own group first with a separate compressor/eq etc then sending them to the drum buss.

6. Try adding a little distortion to your drums, bass, fx etc. Distortion is awesome and can add that bit of dirt your tune might be lacking. Try using it as a send and insert effect.

7. Take a break every 2 hours or so. You need to give your ears a chance to rest especially if you’re monitoring at loud volumes. Always check your mixes the NEXT morning with a fresh set of ears.

8. Try to cut with EQ first before boost.

9. Generally EQ after compression. This way you don’t undo what the compression has done!

10. When compressing a sound make to use the bypass button to check on what compression your applying.

11. Play around with your fx/vst plugins chains. A reverb after a delay sounds different to a delay after reverb.

12. Layering isn’t always about putting 9 basslines on top of each other. Sometimes it can be subtle like duplicating a drum track, added compression and blending that back in with the original.

13. However, layering in drum  n bass is critical in getting that “sound” for your drums and bass. If your drums or bass are sounding weak, its time to layer up!

14. Make sure to apply bass cut to a channel when you can. Its so important to freeing up some headroom and making space in your mix. You an analyzer if you can as well to check if you have any rogue frequencies down in the sub area you don’t need.

15. If your unsure what a certain know or switch or fader does on a plugin or fx or synth test the extreme settings on it and listen to whats happening to the sound. When you’ve worked out what’s going on bring it down to a sensible level.

16. Sidechaining is becoming popular in drum n bass production as well so if your having trouble getting your kick and bass to punch through together try sidechaining them.

17. Sidechaining is not only reserved for the your kick and bass you can get excellent results sidechaing some pads with your kick etc.

18. Don’t be afraid to go into the red a little when your mixing down your track. 3db should be okay but use your ears when you do so.

19. If 2 sounds or more are fighting for the same frequency range try panning them a little left and right. This will help with the separation a lot.

20. Don’t be afraid to use a limiter on your master buss to squeeze out some more db. I’d say 98% of drum n bass producers use limiters in one way or another. So you might as start learning about what they do and how they sound now!

21. When using EQ first sweep the frequency bands slowly and listen out for any horrible resonant frequencies that jump out at you. Then use EQ cut to remove those frequencies. A little here and there can make a huge difference to the overall sound.

Okay then, 21 drum n bass production mixing tips as promised. However, most of these tips can be applied to any genre of music you might make so get cracking!

see you on the dancefloor.

Dauntless

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Mixing Audio by Roey IzhakiI’ve had Mixing Audio Concepts and Practices by Roey Izhaki for quite a while now. (truth is I wish I had it way earlier!). There ain’t that many books on production so I when one pops up you gotta give it a look, right?

For many drum n bass producers the mixdown IS the hardest part of making a tune. The constant battling of sounds in the mix or getting the tune loud for the club is enough to drive you MAD!

So lets not dilly dally, lets have a peek under its covers shall we?

==>>Grab Mixing Audio Concepts & Practices Here<<==

First off, Mixing Audio was  conceived to provide a complete research on mixing from  basic to advance techniques. This I found to be certainly true, as its written in very easy to understand English and is jammed with pictures and diagrams galore to help you understand whats going on.

The Book Contains:

- 584 pages.
- The book covers most of the major DAW’s from Cubase, Logic, Motu, Protools.
- 35 chapters covering ALL techniques and concepts to do with music production.
- Easy to understand English.
- Is used by the London SAE.

As I mentioned earlier the books is full of  Illustrations and audio samples.
Nearly 300 pictures and more than 2000 audio samples that come on the DVD to be infact!

Lastly Mixing Audio comes with 4 complete sample mixes which come with:
- notes on each audio track and what was done and why.

- A wide selection of genres to learn different techniques from  for e.g. pop to drum n bass.

- Before and after processing clips of all the 4 tunes for studying.

- Separate audio tracks from the tunes.

- For the most part, the text in the book includes the actual setting of processors and effects.

- Samples are CD-quality WAV

So If you’ve ever struggled with balancing levels or just don’t get how compression or reverb work or don’t quite understand the layout of a mixer then  I have no problem in endorsing Mixing Audio: Concepts, Practices and Tools. Its well written and it pretty much covers everything you wanted to know about mixing audio/music production.

==>>Grab Mixing Audio Concepts & Practices Here<<==

See you on the dancefloor

Dauntless

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